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Small Towns, Black Lives: African American Communities in Southern New Jersey, by Wendel A. White, Deborah Willis, Stedman Graham, Clement
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A single photographic print may be "news", a "portrait," "art," or, "documentary," or any of these, all of them, or none. Among the tools of social science graphs, statistics, maps, and text documentation by photograph now is assuming place.
Dorothea Lange, 1940
The photographs in Wendel White’s Small Towns, Black Lives are the kinds of hybrids Lange described and anticipated in her statement. The exhibition and book form a personal album revealing the layers of meaning and history that he carefully uncovered. His project to document African American communities in southern New Jersey began in much the same way that many photographers before him had set out to record a place or people.
Neither stridently documentary nor self-consciously arty, White’s images straddle two worlds. They adopt the cool reserve of certain recent fine art photographers – Lewis Baltz, for example. Yet he is also true to the sincere lens of many of photography’s great documentarians—such as Lange or Jacob Riis, who documented the horrid slum conditions in New York’s Lower East Side or Lewis Hine, who took part in the influential Farm Security Administration documentary project from 1937 to 1942. White has produced a body of work that is uniquely personal and profoundly informative. His photographs thoughtfully ask us to look without preconceptions at the history he has uncovered.
Charles Ashley Stainback, Curator
- Sales Rank: #2214164 in Books
- Brand: Brand: Noyes Museum of Art
- Published on: 2003-01-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 2
- Dimensions: 10.50" h x 11.50" w x .75" l,
- Binding: Hardcover
- 184 pages
Features
- Used Book in Good Condition
From the Publisher
As the Noyes Museum of Art marks its twentieth anniversary, it is appropriate that it should focus the public’s attention on art of exceptional quality and powerful voice, an artist of merit, themes of cultural and social relevance, and the region it serves. With Wendel A. White’s work in Small Towns, Black Lives: African American Communities in Southern New Jersey, the Noyes Museum has found a perfect conjunction of these ideal focal qualities.
White’s journey for Small Towns began in 1989, shortly after he relocated to the area to take a teaching position at Richard Stockton College. From his first visit to Cape May County’s Whitesboro, a community founded by black entrepreneurs in the post-Reconstruction era, White realized there was more to the story. Indeed, what has evolved is the visual product of an artist’s passion for his subject, but he has also added many other ingredients – including interviews, history, and a sense of place. While the story White has unfolded is unique, one finds themes that transcend a specific locale and speak to the experience not only of a people, but of a nation.
About the Author
Wendel A. White
Wendel A. White was born in Newark, New Jersey 1956 and grew up in New York City, Philadelphia, and New Jersey. He was introduced to photography as a high school student at Montclair High School, Montclair, New Jersey. In 1979 he received a BFA in photography from the School of Visual Arts in New York and in 1982 received an MFA in photography from the University of Texas at Austin. In 1982 he moved to Brooklyn, NY and in 1986 to New Jersey were he currently lives with his wife and daughter.
The Small Towns Black Lives project began in mid-1989 and images from the Port Republic community were exhibited between 1990 and 1995 as part of the traveling exhibition Convergence: 8 Photographers. In 1991 he went to Center for Creative Imaging in Maine and began using the computer in artworks based on an earlier series of manipulated landscapes. This led to the creation of a web based presentation of the Port Republic images that went on-line in 1993 as a web site called The Cemetery (the images are now included as part of Small Towns, Black Lives.) The site included the photographs and text from the Convergence exhibition plus hypertext links to images of the archival documents that were used to construct the story of the black community that no longer existed.
Deborah Willis
Deborah Willis is a MacArthur Fellow and Professor of Photography and Imaging, New York University, Tisch School of the Arts. Her most recent book projects include Reflections in Black: A History of Black Photographers 1840 to the Present (2000) and The Black Female Body: A Photographic History, with Carla Williams (2002).
Clement Alexander Price
Clement Alexander Price is Board of Governors Distinguished Service Professor, Professor of History, and Director of the Rutgers Institute on Ethnicity, Culture, and the Modern Experience at Rutgers University, Newark Campus. Dr. Price is the author of many publications that explore Afro-American History, race relations and modern culture in the United States and in New Jersey, including two books Freedom Not Far Distant: A Documentary History of Afro-Americans in New Jersey and Many Voices, Many Opportunities: Cultural Pluralism and American Arts Policy.
Stedman Graham
Stedman Graham is chairman, and chief executive officer of S. Graham & Associates, an educational company that creates customized corporate training and leadership development programs. He co-authored The Ultimate Guide to Sport Event Management & Marketing (McGraw Hill). In March 1997, Simon & Schuster published a book detailing his Nine-Step empowerment philosophy, You Can Make It Happen: A Nine-Step Plan for Success, which was a New York Times Bestseller.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A Significant and Beautiful Work
By ken tompkins
Wendel White's _Small Towns, Black Lives_ is a significant and beautiful
book.
It is significant because White has revealed a little-known fact of
American life: that African-Americans occupied private places not easily
found on maps and, further, he has exposed the success of those lives in
those places. The work is filled with incredible photographs of black
schoolteachers, barbers, funeral directors and farmers who built their
own homes, gardened their land, sold their produce, raised their
families and taught their children. They did all of this in small towns
generally unnoticed by the larger society. A metaphoric example is
telling. On page 97, White has photographed a tiny cemetery headstone
covered with brush, fence posts and the flotsam of an uncaring society.
On the next page, after the abandoned cemetery has been cleared, White
again photographs the tiny headstone only, this time, it stands
surviving and dignified. White has uncovered black lives which, seen
through his eyes, stand revealed as surviving and incredibly dignified
in their simplicities.
The work is beautiful because of the stark power of his vision of how a
photograph and text can be united in reflecting the lives of those he
portrays. Struggling to express both the present state and the historic
subtext of these places and these lives, Wendel White fuses text and
picture into a whole thing. White, whose career as a photographer is
long and varied, has found that digital art has opened new
possibilities. Each print of this text has been carefully and thoroughly
shaped in digital media so that subtlety of black and white tones
underpin the subjects of the picture itself. For me, the photographs of
the old, segregated schools and abandoned black churches speak volumes
of the textures of the lives that learned and worshipped in those
places. They reveal the beauty of what survives and the sadness of what
we have all lost in their passing.
As I said, this is a significant and beautiful work; it touches all of
us and, in doing that, preserves what was almost lost.
kt
1 of 1 people found the following review helpful.
Thought Evoking and Visually Stunning
By Ronald J. Quinn
I found Small Towns, Black Lives to be visually stunning, historically intriguing and extremely thought evoking. This book invites the reader to discover, vicariously through an artist's personal journey and experience, black communities in Southern New Jersey. The beautifully captivating black and white photographs of people, buildings and meaningful landscapes are juxtaposed with thoughtful and informative text, which discreetly reveals these small communities to the reader. The photographs also appear to hint at volumes of dormant historical facts and information that has been unearthed and gathered by Wendel A. White. Both photographs and text provide a glimpse into the lives of a community that otherwise may have been overlooked. The essays in the book provide unique points of view from highly regarded educators, writers and artists as well as "food-for-thought" for the reader. The essays also provide supplementary resources of history and understanding in conjunction with what Wendel A. White has revealed of Small Towns, Black Lives.
I highly recommend Small Towns, Black Lives and urge that it be placed in classrooms, on coffee tables, and anyplace else where people can sit back and enjoy what unfolds from page to page.
0 of 0 people found the following review helpful.
BEAUTIFUL!!!
By Coffy6
When I opened this book, I got chills. The church I atteneded as a child with my grandmother in Swedesboro, NJ is one of the pictures in this book. My mother cried as she looked through this book. It brought back so many memories of her upbringing in South Jersey. Her neighbor in Trenton NJ is even featured in the book as a Civil War Re-enactor whose group still frequently performs in South Jersey. The photos in this book are beautiful and candid. This was truly a "homecoming experience" for my family. This book is a testament to the many African-American men and women who lived full, productive, and wholesome lives in these often forgotten small towns. Looking at the pictures of the old black churches, I can almost hear the hymns being sung. Thank you Wendel White for this lovely trip down memory lane.
See all 3 customer reviews...
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